Nagi no Asukara – 18
Flat and lifeless
I feel so behind, because I’m watching so much of the Olympics. I like the Olympics so much, I’ve taken the whole week off to have more time to watch them. So trying to catch up on anime is kind of difficult. But life marches on. This week, a voyage of discovery for a small cast on Nagi no Asukara.
Finding Shioshishio
A silent guard
Well, it wasn’t exactly lost. They knew where it was, they just couldn’t get there. But what is different is that Miuna is able to lead Kaname and Hikari through a hole in the barrier to the town. Here retainedfirefighter you can check our latest episodes. It was interesting seeing it with that flat light, abandoned, empty. Not even any of the fish that usually gave it life (because there usually weren’t people visible anyway). And here and there, corpselike bodies of the residents, frozen for the time being in hibernation.
Visiting his father
I thought Miuna’s reactions were completely understandable, but Hikari took each one as a personal affront (here’s where I mumble “something something usually acts broken record”). So the three kids end up splitting up, with Hikari and Kaname going to their houses, where Hikari finds his father and fills him in, like someone on a gravesite visit. Hikari also notes that Uroko-sama’s temple building has been crushed, but I didn’t see by what.
Miuna sees what it was really like
Miuna, for her part, doesn’t really listen to Hikari and Kaname who tell her to stay where she is, and I don’t blame her. So she ends up at their old school, and there has a bit of other-consciousness where she sees – or imagines – seeing the school full of children, bright light, life. This is the Shioshishio she’d been looking for. That she’d retrace the steps that Manaka did on her visits there, striking the same note on the xylophone even (I checked), was an interesting choice, even as Miuna and Manaka are very different people, but Miuna is there to try to find Manaka.
Finding Manaka
Tricky scale of the sea god
Miuna does find Lord Uroko, or rather he finds her. They play a little of ‘guess the true motive’, but as always, Uroko’s motives are nearly completely opaque. I think he would have been happy if Miuna’s true motive really was to just see the real Shioshishio (more on that later), but she states that she wants to find Manaka. And following that same sound, she leads Hikari and Kaname to the graveyard of ofunehiki sacrifices. It’s sobering to think that all of these sacrifices were kept, along with the current one. It takes the ofunehiki from ‘superstitious religious ceremony’ to something with a dread meaning. And of course, the latest sacrifice is there as well: Manaka. But more than just being there asleep, she’s losing her ena, and struggling to breathe. Hikari makes the decision to carry her back to the surface, as everything caves in on them.
The graveyard
So what does this mean? Well, my best guess ties into what I said about Uroko: he would like Miuna to see the real Shioshishio, and want to live there. I am thinking that Miuna’s ena is somehow from Manaka’s ena, and as the sacrifice, Manaka is giving up her ena to many other people to bring them back to the sea. We haven’t seen other people get in the water, but maybe anyone who did would gain an ena. It’s terrible for Manaka, but who knows what would have happened. Would that have helped with the sea god’s power, or with the population issues? How many people would choose to live with ena, in Shioshishio, when you can get most of the best of both worlds? Would Itaru go with Akari to move back to her home? This could be the chance for resettlement. And what does Uroko’s look as they’re carrying Manaka away mean?
Saving Manaka
An interesting development with Manaka. Will she be able to live on the surface with a half destroyed ena? Is she now going to be someone who really doesn’t have a home? Unable to return to the water, but not free of it like the people on land, she may have the worst of both worlds. Will Manaka even wake up? Or is she hopeless? I’m actually really surprised she’s making a comeback at all.
About Highway
Proving that you don't have to be young to love anime, I enjoy all genres and styles of shows. If it's not hurting anyone else, you should never be ashamed of what you like!
POWUH: and LOLi Defender with 10998 comments
Manaka is help up by an open hand. I think she is meant to be taken out of there…
POWUH: Meta Team and Spammy Tamer with 7115 comments
I don’t really know. I had actually taken the symbolism to be that she had been caught in her fall by the hand, becoming the possession of the Sea God. The reaction of things crashing in upon them without really being moved by something obvious makes me think that she was being taken against something’s will.
POWUH: and LOLi Defender with 10998 comments
I dunno, a possession would have been grasped.
POWUH: Meta Team and Spammy Tamer with 7115 comments
If it hadn’t been stone, yeah. But a grasping stone statue with someone inside it is way harder for me to believe. Especially in a place where people aren’t supposed to be. You don’t hold on tight to things that you don’t expect other people to have a chance to take.
POWUH: and Vampire Lover with 11746 comments
So it was Manaka’s floating ena scales Miuna has been hearing the entire time. I wonder what was the cause of that and it appears it’s been so for the past five years.
I don’t blame Miuna for her impression of Shioshishio. With such an unsettling atmosphere along with the eerie silence, it’s like a huge graveyard but at least she made it to the place she always wanted to see.
Once again, Uroko gives off a suspicious vibe. It’s like he was trying to instill something unpleasant in Miuna. As if there wasn’t enough dread already.